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Sword of Orion
by Sharon Lee and Steve Miller copyright 2005 by Phobos Books LLC May not be reproduced without express written permission from the copyright holder CHAPTER ONE Jerel slipped the shaped printout over her slideboard, which squatted on its grav field over the countertop, floating barely above the slender fingers of her left hand. Music leaked through the walls in swirling torrents, which meant her uncle Orned was in his office working. Peering at the printout, Jerel pushed down in the center of the slideboard with her right hand--hard.
The result was a pinched finger and quiet, somewhat
unladylike remark. "See," she said to Kay without heat once she'd shaken
her hand a few times, "this really isn't up to full spec." Kay shook his head, reaching for an argument he
hadn't fully thought out. They were in Jerel's workroom,
and should've already left for Simka's Alley if they
wanted to be in time to hear Norin and Feter's set. "You can't believe everything you download off the
graynet. What evidence do you have that--" As usual, Jerel thought nothing of cutting her friend off
in midsentence. "The evidence I have is that I squished my fingers!
This board's getting scratched and I'm getting slowed
down. Costs me money, and it's dangerous, too!" Kay was still formulating a reply as she opened the
small tool case, removed the neomagnetic rotator, and
applied it quickly to the three spots the overlay sheet indicated
at the forward end of the printout. A chirp sounded, and the slideboard clacked to the
countertop like a piece of inert plastic. "Jerel, you're gonna get yourself in trouble!" "Huh!" was her reply, or maybe it was her reaction to
the sharp click of the power module when she applied
the rotator to three more spots and the module ejected itself
energetically from the board. Kay dragged one hand distractedly through his curly
blond hair. "Jerel," he began again, having at last found
the thread of his argument. . . . "Anyhow, Kay, is the word out at school about
Mileeda?" Jerel looked up from her work, peering directly
into his eyes. He knew the ploy, and tried to soldier
on with his point, despite the offered change of topic. "You told me when you signed up with Capsule
Courier that they have a no-modify clause in the contract
for anyone who uses a leased board. You're still leasing
yours, right? Else it'd be purple or flashing gold or anything
but safety orange . . ." "Piff," she said, which wasn't so much an answer as
blowing her too-long bangs out of her eyes as she peered
at the innards of the slideboard, now indecently on its
back and open to view. "Right," she said. "I told you that. But you know, some
of the crew has got to be using mods or else they'd be
running into the same problems Mileeda and I are. Did.
Coming too close to the bottom pavers, scraping on random
junk in alleyways, catching on rags and paper, for
Thirster's sake." She took a tool he didn't recognize from her kit and
probed the interior of the board as she talked. "But anyhow, see, I'm not going to mess with the speed
bits, and that's what they can check real easy with the
standard pre-trip dock, because that'll give them a much
different ETA. I'm going for a slightly stronger compression
and a little more height. That'll take me over the
worst of the gravel on the route, maybe even all of it, and
get me there within allowable time. Should work, I bet." Kay sighed. Once she'd opened the thing his case was
lost, anyway. He tried to recall the flow of the conversation,
came up with a name mentioned twice. "What about Mileeda, anyway? What word is there?" She lifted an eyebrow, piffed again, looked down and
plunged back into some adjustment he couldn't follow,
talking into the slideboard. "Mileeda didn't finish her last trip yesterday. Got one
of the naugy pouch runs up toward Highsteel. 'Cept she
didn't get there. Something weird happened." She said something beneath her breath which might
have been "thirst" or might have been "burst" or even . . . "There!" Kay lifted his eyes to the ceiling. "What weird happened?" he insisted patiently. Jerel laughed, oddly, alternately rubbing at the small
marks on her wrists the way she did when she was thinking,
or tense. "I dunno. No one does. She just never finished the run
is what's weird. And she never went home!" Kay perked up, seeing a shot at some juicy gossip to
feed his mother. The more he could keep her busy with
what was actually going on around them, the less likely
it was that she'd fall back into one of her rants about the
purity of the Oligarchy, or his duty to learn the forms of
the fifth hand flourish to a sitting Speaker . . . "She didn't hijack the run?" He asked Jerel. "Nah. Nothing so reasonable as that. She's just gone,
poof! The street cops found her board--it was still humming,
so they took it in to inspect--and they found her
pouch. Clari said the pouch was just sitting on the board
along one of the back alleys right near CapCour, like
she'd stepped off to stretch or get a drink and just never
came back." There was a slight snicking sound, which was the
power module going back into the board. With a flourish
Jerel turned the board over, touched the points with her
rotator; and the board hung above the counter again, this
time significantly higher. "There! All set." There was triumph and relief in that, and Kay felt a bit
better. At least Jerel'd known that she might not have
been able to get the thing back together. But she was off
again on another topic. "Tomorrow I got a mandatory meeting at CapCour
and Clari said something about a safety review because
of Mileeda going missing. I guess I won't be able to stop
by and see you at the zoo unless they don't give me any
trips." She squinched her eyes, considering. "They might
not," she said darkly. "With Mileeda off I'm back to lowest
on the lists. And if she shows up, you bet they'll fire
her. You can't just walk away from your board and leave
a courier pouch sitting in the middle of the street!" She
looked doleful. "So there, I'm stuck!" Kay sighed. He'd heard all the news about Jerel going
up one on the lists when the new girl came on with the
company, and about the confusions since people said
they looked so much alike. Jerel didn't see it, and he
didn't himself. Beyond the fact that they both had brown
hair, Mileeda didn't look anything like Jerel. Jerel was--
Jerel. You couldn't mistake her for anybody else. "At least you have some idea what you'll be doing. I
can never tell if I'm going to be able to get off to the zoo
on schedule or if I'm going to have to listen to my mother
talk about the gowns some dead woman wore to a ball
fifty years ago, and why it caused a governor to get
thrown off a planet on the other side of the sector."
Jerel nodded. She'd been trapped more than once by a
sudden bout of Kay's mother's reminisces about the
times before the revolution had sapped the Oligarchy's
power. Both she and Kay had been infants when the battles
and riots swept the Oligarchy from a century's reign;
they'd both lost a father in that strife--and Jerel her
mother, too. Jerel, it was known, had actually been on
the scene of the last enigmatic battle. Kay's mother
never tired of explaining how much she and Kay
had in common--including that moment when an
overmatched fleet of revolutionaries had somehow disappeared,
dragging all traces of itself and its enemy
with it. The Oligarchy had not long survived the fruitless,
galaxy-wide search for its supposedly invincible armada,
for the revolution's supporters--long victims of
the Oligarchs--had been well prepared for the resulting
confusion. Jerel knew that sometimes Kay thought his mother
was a victim, too, for whatever dreams she'd had in
those days were now gone, lost in an ever more tangled
web of memories that failed to match the world she lived
in, and most likely didn't match the world she had lived
in, either. "I'm hoping to get to work early tomorrow, if you do
get a chance to come by," Kay said; "my mom's been
sleeping late again." "I'm sorry, Kay," Jerel said with quick sympathy.
She startled him by touching his hand briefly, and then
flung the slideboard at the floor, knowing it wouldn't hit.
A quick jump and she landed on it firmly, the slideboots
locking her feet into proper position. This, of course, meant another change of topic; with
any luck, Kay thought, they'd be able to leave now. If
they hurried, they'd still be in time to hear-- There was a shuffling noise in the hall, and an "accidental"
rap on the wall or door frame, and then Jerel's
uncle Orned appeared. Kay blushed but Jerel didn't. Her uncle was far too
good an insurance man to walk about making such a
noise unless he intended it. For some reason he'd decided
she and Kay needed a certain amount of privacy, including
a subtle warning that he was on the way, ever since
he'd found them sitting side by side looking over a copy
of the latest Barst's Catalogue of Alien Creatures, trying to
decide which of the newest crop looked most dangerous.
Uncle Orned nodded to Kay, smiling his slight, neutral
smile; seeming not at all dismayed to find Jerel hovering
soundlessly in the middle of the room. "Hello, Kay. Didn't hear you come in." This might have been true, give the volume of the music,
but Jerel doubted very much that he'd been unaware
of her presence in the apartment--or of Kay's. Her stomach
tightened a bit. Something was brewing. As if to confirm that, her uncle turned to her, the smile
disappearing. "See your friend to the door, Jerel--you'll have a
chance to talk to him tomorrow. As soon as he leaves,
bring yourself down to my library. Yesterday." Now what? she thought, and exchanged a glance with
Kay, thinking of Simka's Alley and the promise to Feter.
Biting her lip, she looked again to Uncle Orned, trying to
gauge if she could talk her way free for an hour--not that
it was likely, with yesterday in play--but Orned had already
gone back out the door. "Yesterday?" Kay asked, heading for the front door,
trying to analyze the slightly odd inflection in the word
as Orned had used it. Jerel sighed, worried, but not so worried that she could
resist the urge to lean forward and use the slideboard to
take her to the door. "Yesterday?" she said. "That's one of Uncle Orned's
code words for 'right now.' Kind of like saying, 'You're in
trouble, triple max.'" Kay blinked. "But, we didn't do--"
Jerel gave him a wan smile, opening the door and wobbling
in a small circle with the board. "If this was a 'we' kind of problem, Uncle Orned
would have included you, I'm sure. Whatever it is, it's
mine, double bet. Tell Feter I'll come later if I can." "Right." Kay left with a wave of hand; behind him he
could hear the door sigh closed as Jerel put her shoulder
to it, and then heard the unmistakable sounds of the automatic
locks--and then double manual locks--as she
closed up. The door to Uncle Orned's office was closed, which was
a bad sign indeed. Jerel could hear music on the other
side, not as loud as it had been. This was not looking
good. Worse, she couldn't figure out what it was she
might have done. That she'd done something she had no
doubt. Uncle Orned was strict, but he didn't make up
things to get mad about. Perforce, she stared into the retina reader set beside the
door, and punched her personal code--five two-digit
numbers and three letters--into the disguised ornamental
key plate. The door slid silently out of the way. The music was energetic and orchestral; she took that
as an additional sign as to the depth of the trouble and
met her uncle's glance instantly. He nodded very slightly, his eyes cool; and she took
her seat carefully. Uncle Orned's desk faced the door. In fact, in all the
rooms of their flat his favorite chair faced the door. In all
the rooms there was an inconspicuous holster with a gun
in it, right where Uncle could reach it as he sat.
At the moment he was reading from his newsfeed, or
his persfeed. That screen was out of her sight, for, as he'd
explained to her when she was quite young, his job required
him to deal with information he couldn't share. With anybody. The library itself was old-fashioned, with a couple of
ancient bound books for decoration and dozens of
shelves of infosource on various media. Her uncle's
work also required that he own his own copies of a lot of
infosource so that his interest in any particular bit of information
right now wouldn't be noticed. It was this fact that had helped lead her to her interest
in ship repair, for he allowed her to access any of the information
on the three walls not behind his desk. It was
there she'd stumbled across a space drive repair training
module meant for apprentices when she was barely able
to read. Fascinated, she'd demanded tools and a ship to
work on--which Uncle Orned had refused to provide.
He had, however, provided her with tools and access
to more or less appropriate projects for her skill level.
Uncle Orned was fair--he didn't just order in the agespecified
material, but tested her and made sure she was
being challenged by her studies, formal or informal. The music, Jerel realized, was approaching its a
crescendo. As it did, her uncle visibly relaxed. He
stopped reading and keyboarding, let his gaze rest on a
distant somewhere he could see and she couldn't, and
did one of his breathing exercises. Jerel bit her lip and tried not to squirm in her chair.
Uncle Orned was still a young enough man that he'd
more than once been mistaken for her older brother, a
case made for casual viewers by their more-or-less
matching looks--smooth tan skin and wiry build, brown
eyes, brown hair--and even his hairstyle. It wasn't that
his hair was cut like a boy's, it was just that it wasn't as
formal or as formidable as the hairstyles worn by many
of the older men, men who'd been active adults well before
the revolution. If anything, Uncle Orned's hair could
be said to be neutral, much like his clothes, and his voice,
and his willingness to discuss his own history, though
he, too, had been an adult during the revolution. The revolution was something she sincerely couldn't
remember, which made her uncle's unwillingness to discuss
his part in it, if any, doubly frustrating. She knew
from history lessons how bad it had been elsewhere, but
remarkably little about how bad it had been here. When
the lessons had first come up, back when she was a kid,
she'd searched Uncle Orned's archives for more data, but
learned, surprisingly, that what she'd been used to thinking
of as the most complete library on the planet didn't
hold much information about the revolution at all. When she asked Uncle Orned about that missing info,
he'd promised to tell her later, but when "later" came,
he'd only pointed her to the same archives and suggested
she look more closely. She hadn't--and maybe that had been a test of some
kind, for when she hadn't followed up for some days,
she found that her allowance had been raised a bit, while
Uncle Orned directed her reading even more heavily toward
the space drives and mechanics she loved so much.
If he'd hoped she'd go into the insurance business herself,
he never said. The music volume fell momentarily--and now she
recognized it, though she couldn't name it. Uncle
Orned played it a lot, sometimes over and over when
he was working. He called it his "thinking music."
Now came the rousing finale, with a crash of cymbals
and drums and other instruments she couldn't identify,
and a brief twitter of what might have been electric
butterfly wings. . . . Then suddenly there was no sound in the room but her
own breathing. The pause lasted a few more seconds, and then Uncle
Orned's cool brown gaze was on her. "Jerel," he said conversationally, as if he'd just noticed
she was in the room. "I think we must talk. Perhaps, I
daresay, you must talk." There was silence, and his gaze was unwavering.
Finally, she asked, in a small voice, "What should I talk
about, Uncle?" He ran his hands through his hair above his ears, turning
that movement into a languid stretch, hands at
shoulder height. "I suspect first," he said, still in that conversation
voice, which was somehow much worse that being
yelled at, "we must have you talk about what you expect
of me, and how long you expect it." She was startled, and the amazement made its way
into her voice, which shook a bit. "Expect from you, Uncle? How do you mean?" He sat straighter in his chair, and swept his right hand
out, indicating the room, and in effect the entire apartment.
His mouth straightened, and he might have sighed
very quietly. "It seems you expect me to be here. You expect food in
the larder, you expect . . . comfort. I'd guess comfort is
about right?" She thought for a moment, still puzzled, but nodded
carefully. "Yes, Uncle, I guess that's close. I've been comfortable
here for all the time I can remember. We've had food,
we've had power. I've never heard you say 'I can't' if I
asked for something." Here she wrinkled her nose and
thought a moment before continuing. "That's not to say I expect you to buy me everything I
want--you've said 'I won't' often enough to make the
point that I've got to pay for my own frivols." "Ah, good," he said, with a glimmer of a smile. "We
begin to approach the topic, then." He stood, turning on his heel as he pointed at various
of the infosource behind his desk. "Here, here and here . . . and here, these are the things
that have kept you comfortable over the last fifteen years
or so. These are my studies and a large part of my work." He pulled two of the cases from the shelves and flung
them onto his desk. Jerel jumped at the paired thumps.
"You know what I do for my living, so you know that
sometimes people blame me for what other people pay
me to do, just as someone might blame you if a package
arrives broken, or a message comes too late." She nodded, mesmerized by the intensity of his gaze. "Yes, I do know what you do, and that not everyone appreciates
it." He laughed sharply, tapping each of the two cases in
turn before sitting down again at the desk. "These projects here were done years ago. This one"--
he caressed one of the flexible holders he'd tapped--
"this one took a year to set up and a another year to finalize.
This one," he said, tapping the other, "very nearly
put me in the hospital, or worse." He sighed, and slowly leaned back in his chair. "Jerel, we live in uncertain times. There are people and
agencies out there in this world, and across several
worlds, who see that my business is thwarting them.
And it is my business to thwart them, if I take an insurance
job." He stood again, paced a quick short pace, turned to
face her. "I wonder, Jerel, if I should send you away to trade
school. I wonder if you've been paying attention?" "Trade school? Send me off Arantha?" That came out
as a squeak. She was going to trade school part-time
right here, plus there was her job and-- "Paying attention?" he repeated brusquely, leaning
forward, hands flat atop the folders. "I don't think you
have been paying enough attention. I find, for example,
that someone you work with, someone your age, has
gone missing in extremely strange circumstances. I
learn this not from you--the source I would expect to
hear it from--but from someone who owes me a favor
and who knows where you work. Someone who saw
the description of the missing girl and said it sounded
like you!" Jerel shook her head no, looking her uncle in the face,
the knot in her stomach tying itself a little tighter. "I guess," she said unsteadily, "we do look something
alike." Orned nodded. "I guess you do. And that is why I ask
what you expect. How do you expect me to keep you
comfortable and in food if you won't pay attention? How
can you expect me to make sure you're safe if you don't
tell me little things like this?" She opened her mouth to explain, but he waved her
off. "What's Rule One?" Jerel lifted her gaze to the ceiling and gritted her teeth. "Jerel?" Uncle's no-nonsense voice, that was. She grimaced,
knowing it was going to be a long afternoon, and
started reciting. "Rule One is always be alert." Orned raised his hand silently--now with two fingers
showing. She went on grimly. "Rule Two is take as few chances as possible." Three fingers showed now. "Rule Three is be concerned about anomaly." She had the rhythm now, continued as he raised the
fourth finger. "Rule Four is don't attract unnecessary attention." The fingers moved, showed five, but it was Uncle
Orned who finished, coldly. "And Rule Five is stay in touch--which for our purposes
today means 'keep Orned informed.'" He paused,
lips pressed into a grim line. "At the very least, you have
failed to recall Rule Five--or else you have failed to observe
Rules One, Two, Three, and Five. Am I right?" Jerel's stomach actually hurt now. She wanted to yell,
but, what would she say? She'd meant to mention
Mileeda to her uncle as soon as she'd had a chance-- Orned slapped the table, and he smiled grimly.
"You're in for the evening, as you have probably
guessed already. If you think of anything else I should
know about, do let me know. If you don't think of anything
else, study." She nodded, and he flipped his hand toward the door
in dismissal. "We'll talk more about this tomorrow. Come right
home after work. Got that? Right home!" She got up to leave-- "One more thing, Jerel." She turned, saw his face still serious. "Promise me you won't do anything stupid tomorrow?" Jerel grimaced, replaced it quickly with a slight smile.
"I promise, Uncle. And thanks for worrying about
me." He harrumphed, the set of his shoulders showing that
he was still not quite relaxed, and waved her toward the
door again. She went, pleased to escape without a full self-defense
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